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Today at the Museum

January 28, 2012

Sketching in the Galleries—Drawing Modernism

10:15 a.m. – 1:15 p.m.
Studio 114 and museum galleries

Instructor: Kenneth Wenzel This class will present a broad overview of the major art movements of early to mid 20th-century Modernism. Discussion will focus on the evolutionary artistic forces, ideas, and influences of the time period. The slide presen...

About the Collection

The MIA's collection of Asian art represents seventeen Asian cultures spanning nearly 5,000 years. The Department of Asian Arts has benefited greatly from generous gifts from knowledgeable collectors. Augustus L. Searle, Alfred F. Pillsbury, Richard P. Gale, Louis W. Hill, Jr., and Ruth and Bruce Dayton have donated specialized collections of international reputation, including ancient Chinese bronzes, ancient and post-Sung jade, Chinese monochrome ceramics, ukiyo-e paintings, Japanese prints, and classical Chinese furniture. In addition, highly regarded specialized collections of Ch’ing dynasty silk textiles, Miao textiles, and surimono prints have been built over the years.

The department’s goal is to provide the public with a broad overview of Asian art. In 1998 the museum presented the Indian, Islamic, Himalayan, Southeast Asian, and Korean permanent collections.

An original reception hall from the late Ming dynasty and an eighteenth-century Suchou-area library are now in place.

The renowned collections of seventeenth- and eighteenth-century Chinese furniture, literati objects, and paintings have been acquired through the extraordinary generosity of Ruth and Bruce Dayton. While building these focused collections, the Daytons have strategically added important gifts of sculpture, ceramics, bronzes, gold, calligraphy, and Nanga painting.

On October 7, 2001, the Minneapolis Institute of Arts unveiled two historically based Japanese rooms: a formal audience hall (shoin) and a teahouse (chashitsu). Both structures are highly visible installations within the permanent galleries of Japanese art and serve to heighten awareness of the relationship between Japanese art and architecture. The rooms also address divergent aesthetic trends that arose during the sixteenth century in Japan: one that reflected the flamboyant tastes of Japan's warrior rulers, and the other that suggests the tea masters' admiration for the humble, simple, and rustic. The rooms opened in a permanent installation called "Sumptuous and Sublime: Two Japanese Rooms," on Sunday, October 7, 2001. Gallery 222 houses the Audience Hall, and Gallery 225 houses the Teahouse.

For more on this collection, visit The Art of Asia »

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Asian Art Affinity Group

As a member of the Asian Art Affinity Group you will:

      • Receive invitations to lectures and events.
      • Get the inside scoop on departmental news and acquisitions.
      • Enjoy special opportunities to socialize with others who have similar passions.

Collection Related Online Resources
The Art of Asia »
The Art of Asia (YouTube™) »

Curatorial Staff

Liu Yang
Curator of Chinese Art
Head of Asian Art
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Yuiko Kimura
Research Associate
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Matthew Welch, Ph.D.

Deputy Director & Chief Curator
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